For your information, below is a copy of the relevant part of an email I have received from Caroline Jones, who is the archivist at Wellington College. It increases my respect and admiration for CK’s breadth of knowledge. I hope the Rootham family are getting on with typing out the musical score for Andromeda by Cyril Rootham. I have emailed her back and said we would indeed be interested in seeing printed documents from the Wellingtonian, and if it is opportune, and if she has the time, we could get Caroline personally involved
I regret that I am almost certain that we do not have a copy of the choral setting for ‘Andromeda’. I cannot be categorical as the archives are not fully catalogued, but I am fairly familiar with them and am not aware of any such item, nor any part of the collection where it is likely to be. There is, however, a reference to the poem in an article on verse forms published in the Wellingtonian magazine of July 1886, as follows:
You are correct that Charles Kingsley was a friend of the first headmaster of Wellington, Edward White Benson, and frequently visited him. His signature appears in the first Visitor’s Book, and indeed it was he who introduced the sport of cross-country running at Wellington, and our leading race has been known as ‘The Kingsley’ ever since. He was also a supporter of the College’s Natural Science Society, and the Wellingtonian contains several reports of his presence at meetings or his giving talks to the Society. Moreover, Kingsley supported the school by sending his son Maurice here as a pupil.
If you would like printed copies of some of these documents which mention Kingsley for your festival, do let me know and I will make copies for you.
This delightful drawing was sent to Fanny Kingsley on June 1875 several months after CK’s death. Its author was Prince George, second son of Edward VII and who later became George V in 1910. He wrote this card on his tenth birthday.
The card shows the close relationship CK had with the Royal family which was possibly the reason why Alexandra, the Queen Mother, was at the top of the list of patrons of the 1919 Eversley pageant.
One of the events planned for the festival is a performance of Andromeda, a choral work of 1300 bars composed in 1903 by Cyril Rootham ( 1875 -1938) and based on CK’s poem, Andromeda.
This is a substantial choral work and local schools and choral societies will be invited to take part. It will be the first time the work has been performed in over 100 years.
One idea we have is to involve schools in following the process of bringing this historical manuscript to life. From typesetting the score, interpretation, rehearsals, through to the final performance.
We are also delighted to announce the Duke of Wellington has agreed to be a supporter of the Charles Kingsley 200 project. The 4th Duke was a patron of the 1919 Festival Pageant echoing the present Duke’s interest in local heritage.
2/11/17 The Committee: David Lister, Robin Felix, Sharon Elliott, Peter Ormrod and newly appointed Treasurer Graham Fortune, met with Andrew Bateman, Tourism Manager, at the county council offices in Winchester.
Andrew expressed his enthusiasm for the Charles Kingsley 200 project with a promise of support in several areas including marketing and media promotion.
This was a very positive meeting with Hampshire CC clearly behind the project and seeing many positives in it. This is on the tail of the successful media strategy they applied to the Jane Austen 200 celebrations.
This medallion* was struck to commemorate the 1919 celebrations.
*Courtesy of Margaret Winch, whose mother attended the Pageant and kept this one as a momento. How many of these silver medallions are still to be found?
Question: can anyone suggest a reason why this medallion might not have been circulated widely?
The 1919 centenary celebration for Charles Kingsley was major event, spanning several days. It attracted participation from local inhabitants in plays, concerts, ballet; with royal patronage and support from the Duke of Wellington and other notables. Extra trains were put on bringing visitors from far and wide to the local station at Winchfield.
A ballet, The Fish and the Fly, was performed by The John Tiller Dancing Academy, which was probably founded by the same John Tiller who created the Tiller Girls and contributed to the Ziegfield Follies; the high-kickers of the roaring 20s dance halls on both sides of the Atlantic.
The John Tiller School of Dance including Ballet and Tap training & Modern and Ballroom is now continued by Bernard Tiller.
It seems that a future Village Hall was very much on the minds of the organisers
A photograph of the finale of the “Harvest Home” described as an old Eversley rite. In other words, a kind of open-air Harvest Festival.
From the 1919 centenary pageant programme courtesy of Margaret Winch (resident of Eversley up to 1945)
The basic proposal, at this early stage and following the inaugural meeting of a group of interested parishioners, is for a festival to celebrate Kingsley’s life and work through talks, activities and exhibitions. This to be held in Eversley during the week that marks 200 years since his birth
Charles Kingsley (CK) enjoyed an intense life of enormous scope, including his authorship of influential children’s books, theological debate (famously with Cardinal Newman), professorship at Cambridge, reform of worker’s living conditions; the list goes on.
For us living in Eversley, we hold a particular interest in his life arising from the shared experienced of living in the same village and the common appreciation of the countryside and buildings; as well as benefiting from his legacy with the primary school he founded and worshipping at St. Mary’s where he was rector . All this contributes to the special involvement we have with him which will be manifested in the Festival plans we are embarking on
The Southampton Centre for Nineteenth-Century Research are proud to sponsor this exciting workshop being held in Hawarden in July 2017.
This event is also supported by Princeton University Library. The convenors are Dr Jonathan Conlin (University of Southampton) and Dr J. M. I. Klaver (University of Urbino).
At the centenary of Charles Kingsley’s death in 1975 Owen Chadwick spoke of the need to take Kingsley “as a whole” in order to understand “this unpredictable person.” Scholars of the novel, of writing for children, of history and theology were all guilty of taking this many-sided man apart. As we approach the centenary of Kingsley’s birth, it would be easy to think of additions to Chadwick’s list: since 1975 Kingsley’s life and work have also been discussed by historians of gender, empire and science. But are we any closer to appreciating Kingsley “as a whole”? This workshop aims to begin a dialogue among specialists, taking stock of Kingsley scholarship and identifying themes that illuminate not only the man, but Victorian ideas of faith, race, gender and history.
Participants include James Eli Adams (Columbia), Simon Goldhill (Cambridge), Piers Hale (Oklahoma), Leslie Howsam (Windsor), Stephen Prickett (Glasgow), Norman Vance (Sussex). For the draft programme, please see below. A limited number of spaces are still available, for further information please contact Dr Jonathan Conlin: firstname.lastname@example.org
I suggest adding to your excellent article some mention of Charles Kingsley’s funeral which merely emphasises that he was already a national figure.
“Although the Dean of Westminster Abbey was keen for Charles Kingsley’s funeral to take place in the Abbey, his family knew that Charles wanted the sevice and burial to be at Eversley; Dean Stanley led the service in the presence of the Bishop of Winchester in addition to a large gathering of clergy and mourners as well as a Buckingham Palace dignitary representing the Prince of Wales.”